In 2019 Osaka Japan, four young women met at a vocational school club that teaches instruments to high school students. One of their advisors suggested that they join up to form a band and Haku was born. The circle punctuation mark at the end of Haku’s name in Japanese reflects these roots, symbolizing the “circle” where they first met. (these types of clubs are referred to as “circles” in Japan)
Haku released their first single in 2020 and by 2021 they had won the grand prize at a Kansai prefecture talent contest. Attention in Japan started to grow as the band released more music and played live shows. Haku hosts an annual “Haku Day” on August 9th, inviting their favourite musicians to play with them in Japan, drawing inspiration from their fellow artists.
Recently, at the request of fans outside of Japan, Haku has begun playing international shows. They played their very first overseas show in Korea. Singapore was next and, in September 2025, Haku made their North American debut in Toronto, Canada as part of the Next Music From Tokyo showcase.
In their seven year career, Haku has released a steady stream of singles, EPs and two albums.
New digital single Fuwa Ring is scheduled for release Feb 11, 2026.
New EP “Sekai” will follow on March 4, 2026.

Largely unknown outside of Japan, Haku became famous globally with their cover of Mono No Aware’s かむかもしかもにどもかも! The catchy nonsense-lyric tongue twister was released on YouTube in Haku’s trademark vertical frame practice-session format. The popularity of the video sparked a massive social media following and requests from fans around the world for overseas live shows. Local Haku shows also began to attract foreign fans who were travelling in Japan. Fans started sending them videos of themselves mimicking Ai’s groovy dance. Below is the original video of Haku covering the Mono No Aware song. As of this writing, it has over 16 million views.
Late this summer, Haku made their North American debut in Toronto, Canada at Next Music From Tokyo Volume 17.

Next Music from Tokyo is an annual showcase of young Japanese indie bands put together by Toronto anesthesiologist Steven Tanaka. Each year, Tanaka handpicks a group of bands to tour three cities in Canada over 10 days and it is always a fantastic scene. The bands give everything they have and the crowds happily take it all in, dancing and crowd surfing (Steve too)!
This year when the NMFT line-up was announced, I was surprised to see that it featured Haku. The website even issued a warning that since the massively popular band is coming, tickets will sell out faster than usual. This got my attention and I started listening to their back catalog as well as newer releases. I was happy to find that, although the viral video clip is cute and obviously popular, Haku’s original music is even better.
Around a year ago, Haku performed on NHK Japan and talked about influences and future goals. Ai expressed that although they were a band of 4 young girls, they did not want to be bound by the expectations of being a “girl band”. They hoped to show a more aggressive sound in live shows and to write songs that would have a broad appeal to fans of all genders and ages. With that statement in mind, it was fun to witness their first North American show in person.
From the very first song, the band delivered an energetic and gritty sound. The crowd, made up of men and women of all ages in equal number, responded with enthusiastic dancing and clapping. Surprisingly, many of their fans were singing along in Japanese to Haku’s originals. If their goal was to win over a broad spectrum of fans with high-intensity live versions of their original songs I think it was accomplished with great success. I loved the show and I was immediately sorry I didn’t buy tickets for both nights in Toronto.

For a band whose members are probably somewhere in their early 20s, Haku has released a good volume of music. The early singles and first mini album (Wakamono Nikki) sound like a young band still developing their identity and musical style but the playing is solid and the songwriting is good. The second full length album, Bokurajanakyadameninatte, is where the band really starts to shine and the most recent EP titled Catch showcases the fully developed Haku at their best.
The songs are bright and energetic with memorable vocal melodies and guitar hooks. They manage to sound fresh and original but somehow familiar at the same time. In the NHK interview, Ai talked about how many older fans have said that Haku’s music takes them back to their youth. She attributes this to the influence of 90s US and UK indie on Haku songwriting. These 90s flavours blended with modern J-pop and J-rock influences give Haku their defining sound and broad appeal.
Ai’s vocals are full of catchy melodies and fun cadence. Her lyrics (all in Japanese) touch on the universal topics of love and relationships with others, as well as her relationship with the world at large. Ai takes centre stage as the main vocalist and delivers crunchy rhythm playing on her 70s Telecaster Custom. She hopes to write songs that “stand the test of time” and from the enthusiasm of the live audience and the fact that they knew most these songs by heart, I think she is on the right track.
Nazuna’s guitar playing is mostly clean with an unmistakable Stratocaster chime. She sometimes doubles the rhythm guitar but more often wanders away on her own with melodic single-note lines. At NHK, she said that she wanted to invent guitar phrases that “linger in your ear”. I think that Nazuna’s guitar lines are just as catchy as Ai’s vocals and the two together create melodies that are hard to forget.
Kano is a creative bass player never lingering very long on a single note. Bass lines bounce along with the drums, counter guitar lines, experiment with harmonies and always add to the overall big energy of the song. Kano is also the second voice for doubling or vocal harmony and, in interviews, stands out as the most outgoing spokesperson for the band.
Mayu keeps it all together with breezy style, creative fills and lots of happy energy. She is a great drummer now but I think her ambition to learn and improve will sharpen her skills even more in the future.
Each player in the band brings their own unique style but it is definitely the combination of these four talents that gives Haku it’s appeal. The musicianship is undeniable and their obvious close friendship just adds to their charm.
Haku uses some interesting guitars. Ai is playing a 70’s style Telecaster Custom and Nazuna’s Stratocaster is the same vintage. Both have 3 bolt neck plates used mainly on 70s Fenders. I think Fender Japan reissued these sometime in the 90’s so it is possible these 2 guitars are from that era. Either way, they are unusual instruments. Ai runs her Tele through a Marshall half-stack and Nazuna is using a Jazz Chorus 120.
As for pedals, Ai’s main sound seems to be Telecaster, JHS Morning Glory, Marshall amplifier. She switches out dirt pedals often: Ibanez Tube Screamer, Anasouds Savage (Klon Centaur clone), Animals Pedal Surfing Bear Overdrive (cute Japanese made tube screamer variant), NYC Big Muff fuzz have made the rounds.
Nazuna has a big pedal board which includes a Strymon Big Sky and Timeline, JHS Double Barrel, JHS Charlie Brown (cool and uncommon), Boss Turbo Distortion, Triangle Big Muff, Suhr Jack Rabbit Tremolo, Digitech Whammy as well as a Maxon Stereo Chorus.
Kano is running a Fender Precision Bass though a solid state head and Ampeg cabinet (at least at live shows). This deep, punchy Precision bass through a big cabinet is my favourite electric bass sound.
At least in their practice space, I have seen Mayu using a 4-piece Tama drum kit. Beyond that, I am not sure. Unless they are popular enough to carry their whole kit around, drummers usually just travel with their snare and cymbals so…hard to say.
You can stream Haku in all the usual places.
Haku is also active on Instagram and YouTube. Click here for the Haku official website.
Haku is rumoured to be returning to Canada for Next Music From Tokyo Volume 18! Keep an eye on the NMFT website for details.
For a list of all upcoming live shows look here.
Here is the song Ai! from the Catch EP….it is a great record. Look it up on your favourite streaming platform.
A great song and video from Bokurajanakyadameninatte….
If you have any questions or comments or if I spelled anesthesiologist or anything else wrong… please share in the space below.
What’s your favourite Haku song? Leave it in the comments!
These days, everyone everywhere has a camera in their pocket. Smartphone cameras have filters, AI and editing tools that give everyone the ability to take a decent photograph. Publishing photos has also become effortless. Anyone can post their images publicly on social media platforms like Instagram, and image posts get feedback through “likes” and “comments”. This is satisfying and motivating. It is a fun way to share your images with a huge audience.
Social media gives people the motivation to take photographs and smartphone technology makes it easy. The result is that millions of personal documentary style photos are being published everyday. Photo based apps have become a worldwide tool for communication and self expression. But while casual social media snaps are by far the most common type of photography, there are still other types of photographs to consider: images that are able to draw and hold your attention, freezing unique and surprising moments in time. There is a kind of magic in them. They are rare and difficult to capture.
Because these types of photos are so elusive, netting them requires some planning and skill but mostly persistence and luck. Of the thousands of pictures I took on a recent trip to Japan and Korea, I managed to capture only one such image.

1/250th of a second…that’s how much time is captured here. We are in a huge crowd of people swarming through Shibuya Scramble Crossing in Tokyo. I am quickly walking forward taking pictures from waist level without looking through my camera. The girls are walking quickly towards me headed in the opposite direction. For this fraction of a second, we are facing each other. We are less than 2 metres apart and my finger happens to push the camera shutter. We pass each other and the moment is gone. Forever. One fraction of a second before or after and it would not exist. It is pure luck.
The intimate angle, the fact that the image is in focus and exposed so well and the emotion on display coming together in this tiny moment is almost a miracle. To put it into context, I tried the same technique in the same crosswalk for over two hours and took over 400 pictures. Out of 400 shots, maybe 6 or 7 were usable. Of those few, this was the only one that stood out as something truly special. It made the whole process worthwhile and went beyond all my expectations. It is one of my favourite pictures that I have ever taken.
Emotion.
Photographs that express strong emotion are the ones that draw me in . And, the most captivating images are candid photos, where the emotion is pure and unaffected, where the subject has no sense that they are being photographed.
Tiara Girls in Shibuya Scramble glows with the energy of youth: freedom, rebellion, optimism are all on display. School uniform collars are unbuttoned and ties are pulled loose. Determined eyes are gazing directly and fearlessly into the future.
The princess tiaras, the body language and the smiles on their faces hint at the kind of friendship that can only bloom when you are young and free and open hearted. It makes me think of this short story passage:
“The most important people turned up surprisingly early in life. After a certain point, she found it difficult to turn even the first page of relationships that her younger self would’ve entered with relative ease. People locked their hearts at some point in their lives, as if everyone had agreed to do so. Then they made acquaintances outside those locks, with people who would never hurt them or be hurt by them”. Choi Eunyoung “Sister, My Little Soonae”
Some of our closest and most impactful friendships are forged when we are very young: before we have had our hearts bruised enough times to start hiding them away from others. This photograph captures that time.

Are there easier ways to get this kind of picture? Why not just sit up on a staircase above the crossing with a long lens and fire away..like taking bird pictures? The answer is that if you are not down in the crowd using a lens that is close to human vision perspective, you will not capture the kind of emotion that you see here. It just won’t work. The photos will look like spy camera photos, flat and lifeless. Kind of like when they show snaps of cop surveillance photos on tv shows. You need to be inside the image. When you are photographing from a distance, the photo will feel distant.
Check out my original post about Shibuya Scramble Crossing if want to see a few more pictures from this day.
If you have any questions or comments, please leave them below. Knowing you have been here gives me the motivation to keep it up. Thanks always for stopping by : )
I think I am kind of tired of taking pictures of food. There are millions of food pictures online and, for me, they don’t have a lot of impact anymore. On this trip I am enjoying my meals without documenting them too much. The less I involve my phone in my meals, the more I seem to enjoy the food and the company I am sharing it with. In fact, the less I let my smartphone interrupt my experiences in general, the more I seem to enjoy whatever I am doing. I do miss the engagement with posts on social media a little bit. Writing on a site like this, you sometimes wonder if anyone is even reading it. I guess we are all a bit addicted to our little red heart “likes”. But, for now, I am enjoying the break from it.
Another reason for the lack of food posts is that we have a kitchen in our place, so we have been making most of our big meals at home. Our neighbourhood has many small grocery stores that are full of beautiful, high quality fruits, vegetables and fish. The rest of our meals are snacks on the road. Tokyo is a snacker’s paradise.




The cycling culture in Tokyo is very different from what I am used to at home. There are bikes everywhere: you can see them in almost any picture I have taken. The sidewalks here are shared by pedestrians and cyclists. Everybody is used to this and it works. Everyone cycles here: old people, little kids, business people with briefcases, moms carrying one on two kids on the front or back. Most buildings seem to have a space dedicated to bike storage. Same with subway stations. Bikes usually have one or two big baskets for carrying stuff around and every bike has a sturdy upright kickstand. Some bicycles have little calliper locks on the frames that go through the spokes on the back wheels but I haven’t seen any “New York Kryptonite U-locks” here. You could pick up any bike you wanted and walk off with it, but many people don’t seem lock them at all and I doubt that any get stolen. Maybe “borrowed” and later returned by a drunk person trying to get home after the trains stop (I saw this once in a movie haha).




Tokyo has all kinds of different architecture from steel and glass high rises to old wooden houses. By far the most common are low rise apartment buildings covered in ceramic tile. To resist earthquakes, concrete is the main construction material because it flexes and can withstand the shock. But, instead of having dull grey buildings everywhere, Japanese achitects have tiled most buildings from bottom to top. There are many colours and designs and I can’t help thinking of fancy vintage bathroom renovations you would see in a magazine. I think they are truly charming and beautiful with their saturated colours in the day and glossy shine at night.


These are buildings in Kappabashi. I like the way they all look different, all in a row, with their whimsical details. Tea cup balconies and giant chef heads.




This was our Tokyo home. A modest corner building of painted concrete:

I love to take pictures at night and Tokyo was a beauty after dark. These are a few shots I like that didn’t really fit into any other posts:

Construction workers dealing with a late night job. All the men from subway drivers to couriers to construction workers have colourful and stylish uniforms. It always makes me think of Lego men.


Akihabara at night. There are many city scapes in Tokyo where you can see all modes of movement mashed together and moving fluidly. Trains, cars, people, bicycles, buses.

My overall impression of Tokyo, the largest city in the world with a population of 41 million, is that it is quiet and peaceful. I am sure that it is not without its flaws, but from my point of view, it just works. Japanese society in general seems to value harmony. People are patient with each other. They approach others with respect and understanding. And kindness. I was walking around with my backpack open and the cashier at the grocery store turned me around and zipped it up for me with a smile. My daughter dropped a 5 yen coin under a table at another store and a teenage girl squatted down to pick it up for her. This city is absolutely overrun with tourists but most shopkeepers and people in the street are incredibly patient. More than I could ever be! This makes it an easy and comfortable place to visit and I have really enjoyed my time here.
What strikes me the most about Tokyo is that everywhere I go, I am struck by little moments of beauty and wonder emanating from the most ordinary things. There are a few in previous posts and here are a couple more:



There are thousands of great pictures of Shibuya Scramble Crossing from above so I wanted to do something a little different. I set up my camera so that it would focus on anything 2 to 5 meters in front of me. Walking through the crowd with my camera against my body, I shot many frames without looking through the camera. The result is a random assortment of crooked and out of focus photos but also a few fun candid shots. They look cinematic to me, almost like movie stills. I like black and white for people photos.
Here is a video I made of Shibuya Crossing with my iPhone today…it is not even that busy, it gets much thicker than this.
These are the best of the pictures:








The Meguro Parasitological Museum is a private research facility that was established in 1953. The free admission museum exhibits about 300 parasite specimens and related material. On display are a number of animal parasites and also human parasites. These are real parasites removed from hosts and preserved. There are so many and they are so BIG! There were also several gruesome photos of humans and their parasites but I won’t put them up here. Go see for yourself 😮.













How did we even know there was a Meguro Parasitological Museum? My daughter is a fan of Nekojiru manga. The Nekojiru pieces below are about her visit to the parasite museum in the late 90’s. Credit for translations to Read Nekojiru.


This was a fascinating museum. It was cool (and a little scary) to see actual specimens of parasites extracted from human subjects. Highly recommended.
I went to Ueno Park to look for cherry blossoms but I was too early. There were only one or two plum trees with flowers so far. So instead I walked through the Ueno Zoo and, as usual in the afternoon, most of the animals were hiding or asleep. It was still fun to watch all the little kids running around in their cute uniforms. They were just happy to be outside in the sun. And so was I.





BATS!! A slow motion iPhone video.
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Here is a link to the Ueno Zoo website in English.
We visited Asakusa-Nekoen rescue cat cafe near our house before going to the Sumida aquarium. Half the cats were around 15 or 16 years old and were the original cats from when the place opened. The other half were quite young and available for adoption. The person who ran the place told us that over 15 years she has had 400 cats through the place that were adopted to new homes.





Next stop was Sumida aquarium inside Tokyo Sky Tree.

My camera does not do a good job taking photos through glass but I like these ones from Sumida Aquarium. There were so many tanks of beautiful fish, fresh water and ocean.






If you like visiting aquariums, there are a few pictures of the COEX aquarium in Seoul in this post.
Vending machines are everywhere in Tokyo: every street corner, every dark alleyway, every train station, every parking lot. Everywhere. Sometimes they stand alone, sometimes they are in pairs, sometimes they are in gangs of three and sometimes a whole row of them line up on one side of the street and watch you go by.
There is something animate about them. After I photograph them, I remember them. When I see them again, I recognize them..it’s like that feeling of bumping into someone you have met somewhere before. They remind me of jukeboxes a little. You have a relationship with them, an agreement…you give them your coins, push the right buttons and the machine gives you what you want. At night, their bright paint and little blinking lights entice you from afar.
“How about a beer?” they ask.
Or, in their quiet understanding way they remark: “I bet you could use a cigarette right now.”
I am going to miss them.
boop beep boop beep ding-ding-ding-ding-ding
















Good night my friends..
Japanese convenience stores are very different from their North American counterparts. On top of things like toilet paper, cup noodles and soda, they also have an enormous variety of snacks, fully cooked meals, meal prep kits to take home, and every drink you can imagine. Last time I was at 7-Eleven I even noticed plastic wrapped dress shirts and neckties in case you need one in a hurry. Underwear too! There is usually a place to sit down to eat as well as a clean public washroom. Free Wifi and foreign card ATMs are also available. Amazing. I photographed all the stores at night because I like the way their incandescent glow washes over the street and backlights the people going in and out.












There is so much more to these places….they have EVERYTHING (except deodorant). The novelty and variety of the snacks alone is astonishing. They have no equal elsewhere.
For as long as I can remember, my daughter has been obsessed with fake food. When we went to Ikea, she was far more interested in the rubber grapes and plastic apples in the displays than any stuffed animal or toy. So we were pretty happy to discover Kappabashi street not far from our house in Tokyo.
Kappabashi Street is home to restaurant supply stores selling everything from pots and pans to tableware and chef uniforms. But not only that. They also supply shokuhin sampuru, the plastic and rubber food that is used in restaurant window displays across the country. Everything you see below is fake. If it wasn’t wrapped in plastic, it would be hard to tell that it wasn’t real.










