Billy Carter Red: 10 year anniversary
UK 2018
In the spring of 2018, I travelled to Brighton UK to attend the Great Escape music festival. I had come to see Say Sue Me, one of my favourite new discoveries as well as 3rd Line Butterfly, legends from the early Korean indie scene. These two bands along with Adoy and Billy Carter were scheduled to play at a Korean Music Spotlight event. I had never heard of Adoy or Billy Carter so, in the weeks leading up to the festival, I did some reading online and listened to a bit of music from both bands.
Adoy had a laid back, smooth R&B sound that I just couldn’t connect with. And, I wasn’t sure about Billy Carter who were often described as a “blues band”. Usually, when I hear “blues band” I immediately get suspicious and think that I am not going like it. I do like old lo-fi blues but most modern takes on the genre are not interesting for me. I wondered what kind of blues would come out of Seoul?
As I would soon find out, describing Billy Carter as a “blues band” left a lot of elements out of the equation. Yes, they had solid roots in blues but they were so much more than that. The Billy Carter lineup at the time was Jiwon Kim on vocals and keys, Jina Kim on guitar and vocals and HyunJoon Lee on drums.
The Windmill Brixton
The first time I saw Billy Carter, they were opening for Say Sue Me at The Windmill Brixton in London UK. I didn’t have time to listen to their records much beforehand so I was hearing most of their songs for the first time. But even after just one show, I knew that I was interested in seeing more of Billy Carter. After their set, I met Jina and Jiwon while i was buying a t-shirt at the merch table. I remember getting the impression that they were not interested in talking to me. I think we were a little suspicious of each other : ) It makes me laugh now when I think about it!
The Great Escape Festival 2018
The day after the Windmill gig, I got to see Billy Carter play at a little club called Volks as part of the Great Escape Festival. This club was off the main drag near the beach. When I got arrived, there were probably less than 30 people in the place, almost all men. Even before the band got on stage I felt a bit nervous for them….”Why aren’t there more people here? Why isn’t it darker in here? Why is it all old men?” When I go to shows, I almost never worry about the band being shitty. I often worry about the audience or the venue being shitty instead. This was what I was feeling here…
The band set up, had a quick sound check and then launched right in. From that point on, I don’t think that I blinked the whole time. The musicianship was incredible, the singing powerful. The band played in front of 30 people as if they were headlining a stadium. I was really floored. For most of the songs, there was only drums (by the excellent Hyun Joon Lee) and Jina’s guitar. Jiwon added keys and melodica here and there. But the sound, especially from the guitar, was massive! I couldn’t understand how these three people could make so much great noise together. And the physicality of the band….they never stopped moving, jumping, dancing…
As the band was packing up, I went out for some fresh air and wondered how I could describe the show I that I had just seen. For some reason, the word that came to mind was “demonic”. When I was watching these musicians on stage, they looked like they were possessed. Not in some affected theatrical way. Instead, they seemed to truly love and believe in the music they were making. They were possessed by their own art. It was contagious. I felt it too.
While I was outside for a smoke, I happened to see Jina and Jiwon come out of the club and light up. Now, I am not exactly a shy person but, after seeing what I just saw, I have to admit that I was a little bit afraid of these two! Eventually curiosity overcame fear and I walked over to say hi. We had a cigarette together and ended up having a really nice talk about everything from music to human rights in Korea vs Canada (my home). I remember Jina saying how much she would love to live in a place like Canada and feeling pretty proud about that.
I was able to catch Billy Carter one last time that weekend. This show was an official Korean Music Showcase full of industry people. The lineup included 3rd Line Butterfly, Billy Carter and Say Sue Me. It was an epic show for me, one I will never forget. I was thrilled to see these bands together in such a small space. At the end, I did a little tour around to say farewell to everyone I had met over the weekend. Just before I left, Jiwon (who I was mildly afraid of the day before) ran over and gave me a huge hug. So much for being scary haha..
The Great Escape 2018 was a pivotal event in my life. It reignited my love for live music and introduced me to artists that I might otherwise never get the chance to see. Billy Carter was a big part of that experience and I have been keeping up with them and their new projects as they continue to evolve as artists and activists. They will always occupy a warm place in my heart.
Billy Carter at Great Escape Festival Brighton UK 2018
Happy Anniversary!
The Red EP 10th Anniversary
The first Billy Carter EP was released 10 years ago this summer. This 5 track introduction to the band is probably the grittiest sounding of all their releases. It is one of my personal favourites and, I think, one of the most important Korean indie rock records of all time. Today, I still listen to it with the same joy as I did the first time I heard it many years ago.
The title track “Silent/침묵, starts with a simple drum beat that soon gets swarmed with dirty fuzzy guitar noise. This gives way to a sticky and aggressive guitar riff that is a signature of Jina Kim’s sound in the studio as well as in live performances. Jiwon Kim’s soulful vocals power through it all and add to the high voltage blues assault. After a couple of choruses, the song itself suddenly goes silent. A ripping single note fuzz attack opens it back up over rising drum beats and wailing vocals that carry the song to the end. It sounds like a demonic chant. The lyrics are an indictment (in Korean language) of the tendency towards silence in the face of sadness and injustice. You can hear the blues influences in this song. But, the punk rock (bordering on metal) noise and riffing takes it to the very hard and ragged edge of anything I would think of as a blues.
Lost my Way, the second track, is definitely rooted in 12 bar blues. Jina’s guitar line defines the pace of the song as much as the drums. This is real rhythm guitar playing, keeping pace with, mirroring and complimenting the drum track. Because the sound is already so huge, it’s easy to forget that there is no bass player here. Jina’s guitar playing does double duty in holding down the basic rhythm of the song (a layer of sound normally provided by the bass guitar) and providing fun and energetic riffs and chords as well. This is one of the best parts of seeing them live and I have often wondered how it is even possible for a band to make so much satisfying noise with just a guitar and drum kit and some occasional keys and melodica. Jiwon and Jina share vocals on this track both alternating lines and harmonizing. Their singing styles are different but also complimentary. They sound great together, like two friends singing at the top of their lungs on the way back home from a bar at sunrise after many drinks and smokes. This song starts loud and frantic and just gets louder and more raucous as it rolls along. A fun track beginning to end.
The third track, Time Machine, pulls back the volume and intensity, but only just a little. A sad and lonely harmonica gives way to Jiwon’s powerful smokey slow blues style and Jina’s choppy guitar chords and low note grinding riffs. The lyrics seem to be reflection on past personal and family trauma and its’ lasting effects. “If I got a time machine, would go back and tell my dad not to cheat on his wife..If not, your daughter can never believe her men in her life.”. These are personal and direct lyrics, the sort that would come up later in the bands’ career especially on their last full length release Don’t Push Me. The guitar noise builds steadily as the song progresses, occasionally disintegrating into dissonance and broken rhythms adding to the sense of hopelessness and desperation that threads through the whole song.
Spring (봄), the second to last track, starts with a Johnny Cash style freight train Boom-chicka-boom rhythm guitar that bounces along until the vocals begin. This time Jina takes the microphone while playing a fun delta blues kind of guitar melody (so fun that I had to learn to play it myself). Jiwon adds a few sweet harmonies halfway through. Then, at about two minutes in, just as you are starting to think that Billy Carter decided to give you a nice easy listen, the song bursts open in a nuclear storm of guitar noise and full throttle screaming. Once the dust settles, Jiwon takes her turn at a verse and the guitar melody finally unwinds to the sound of birds tweeting in the spring sunshine. My Korean is not good enough to understand most poetry and metaphor. I suspect that the lyrics are much darker than the music might lead you to think. Somehow, I feel like they may be referencing environmental destruction or emotional disappointment here but… I can’t be sure. I will have to ask next time I get a chance!
The EP closes out with You Go Home. It features big juicy guitar riffs chugging along as Jina and Jiwon take turns singing about what sounds like a very messy end to a night of heavy drinking. A universal experience I think, especially in Korea : ) The song winds up with shouts of “Go Home!”, “잘 가!” “안녕!” “annyeong!”. For some reason at the end of this one I can feel the bone chilling cold of stumbling home on an icy winter night, full of beer and soju, howling wind making my cigarette burn down at double speed. BRRR!!
After The Red
In addition to The Red, Billy Carter have released three other EPs titled The Yellow, The Green and The Orange. Each one goes in a slightly different direction musically but they are all unmistakably Billy Carter. I love each of them and would have a hard time picking a favourite.
Billy Carter has also released two full length albums, “Here I Am” in 2016 and “Don’t Push Me” in 2020. “Here I Am” is a fantastic listen that I think is closest to The Red EP in overall feel. “Don’t Push Me” saw the band move in a slightly different direction. The music maintained the same urgency but the lyrics became much more openly political and straightforward, addressing human (and animal) rights issues in a very direct way. It was a hugely influential album for so many people that I know including my daughter, who lists it as one of her favourites of all time. The album showcased Billy Carter at the peak of their powers as musicians and social critics. Unfortunately I was never able to see any live shows after this release but maybe sometime in the future…The band has been on hiatus since this release and I am not sure if they will ever resurface again as Billy Carter. Even if they have played their last show, I think they have left a collection of songs that any band on earth could be proud of and I am very happy to have had the pleasure of seeing them live even a few times. Happy Red Anniversary Billy Carter!
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Cold Chickpea Salad
This is a recipe for a cold chickpea salad base. You can eat it just as it is here. It is delicious. But, you can also add just about anything you like to make the recipe suit your personal tastes. If you want to eat it over a few days, it is easy to add different ingredients to change it up. The ingredients I am including in this basic version can sit for a few days in the oil and vinegar dressing without degrading.
When I was little, especially in summer, there was always some kind of homemade cold salad in the fridge. Potato salad, pasta salad, egg salad… My new-Canadian parents refused to use air conditioning (or the dishwasher haha) so it was always nice to have something ice cold to snack on in the hot and humid weather! This recipe is the latest variation and I ate it at mom’s house recently.
Chickpeas are a great source of cheap protein, fibre, vitamins and minerals. And they taste great!
Ingredients:
- 400gr (2 cups) dry chickpeas
- 1/2 red onion small dice
- 1 red pepper small dice
- 3 green onions (scallions) sliced
- 1 carrot
- 2 cloves of garlic minced
- 2 Tablespoons hot chillies in oil (or chopped fresh chillies)
- 2 Tablespoons diced dill pickles
- 90-100ml (6 tablespoons) olive oil
- 45-50ml (3 tablespoons) vinegar
- 1-2 teaspoons salt
- 1-2 teaspoons black pepper
- 3 teaspoons ground cumin (optional)
I am using dry chickpeas because I like the flavour and texture. Soaking and cooking them is very easy but it takes a little more time. Feel free to substitute an equal amount of canned chickpeas. Just be sure to rinse them thoroughly in cold water to remove all the slippery brine.
Use a good extra virgin olive oil. I have used apple cider vinegar in this recipe but any good vinegar works. As for the chillies, I am using delicious chopped red chillies in olive oil which I recently found at a local Italian grocery. You can substitute with any fresh chopped chilli or leave them out if you don’t like the heat.
Process
Before anything else, we need to rehydrate (soak) the dry chickpeas.
Variations
As I mentioned at the start, I keep this basic recipe limited to the veggies that will be able to sit in the oil and vinegar for a few days without spoiling. Feel free to add anything you like to this starting recipe just before eating.
Some other things I have used:
- blanched or raw asparagus
- corn
- zucchini
- celery
- chopped kimchi
- diced sour apple
- parmesan cheese
- any and all fresh herbs
- crispy diced bacon
- tobasco, cholula or any other hot sauce
This kind of a salad is a good match for any picnic foods and especially grilled meats. And, although it is a cold salad, there is no reason why you couldn’t heat it up in a pan and serve it hot as well. As a warm dish, I think it would work perfectly under a piece of grilled fish.
Hope you enjoy. If you have any questions or comments or interesting variations, please leave them below. I am always happy to hear from you.
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Bossam Leftovers: Pork and Vegetable Udon
Bossam Part 2:
Earlier I put up a recipe for a simple bossam. Towards the end, I mentioned that if you go easy on the salt in the braising liquid, you can use it to make another delicious pork dish. This is what I have done with the leftover braising liquid from that recipe: Pork and Vegetable Udon. This recipe made one huge portion but could very easily make 2 portions by adding more noodles.
Ingredients:
- Leftover braising liquid from Bossam recipe
- Leftover pork meat (if any) thin slices
- 1/2 onion sliced thin (the other half of the onion from the Bossam recipe)
- 3 cloves garlic sliced thin
- 2 green onions/scallions chopped
- 1 fresh green chilli pepper sliced into thin rounds
- 1/2 zucchini sliced thin
- 1/2 package of enoki mushrooms
- 1 cup green cabbage sliced thin
- 1 or 2 portions frozen udon noodles
I am using vegetables that I have in my refrigerator at the moment. You can substitute just about any vegetable you would normally put in a soup. You can use different mushrooms too. Different noodles could work as well. I like these Udon noodles. I usually find them at the neighbourhood Asian grocery store in the freezer section. They are convenient because they are frozen in single portions. If you don’t have leftover pork meat, don’t worry. The braising liquid has plenty of delicious pork flavour on it’s own. Sub in some extra mushrooms. I had enokis on hand but sliced king oyster mushrooms are even better!
Process
This took almost no time at all…
I think this probably took around 15 minutes to make. The leftover braising liquid from the bossam recipe is a perfect, rich and complex broth to cook vegetables and noodles in. This was a delicious meal that used up every last leftover from the previous night.
If you have any questions, comments or other ideas please leave them below. I always look forward to hearing from you.
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