Losing Focus: Finding Interest in Blurry Photos
***If you are looking at this on your phone you probably won’t see the blur in these photos. Your phone will crush the images to the point where they will probably look in focus. Of all the posts so far, this one needs to be seen on a bigger screen to make sense…
***photographers: this article is not about using diffusion filters to soften focus.
Finding something interesting in “mistakes”
Over the years, I have taken thousands of pictures. Sometimes they turn out great. Often times they don’t. Sometimes the image I was seeing in my mind didn’t translate well with the camera or, other times, the photos are technically flawed. My camera is older and the auto-focus system is not perfect. It struggles with difficult light and reflections, especially at night. So, I tend to get a few photos that are out of focus from time to time. These blurry pictures are impossible to fix and I always delete them first, without any thought, to save space on my computer.
Lately, I have found a few of these pictures that escaped getting deleted. While they are not what I intended, some of them are still kind of interesting. Unfortunately, only a few of these “mistakes” have survived. So, I decided to go out and try to take some out of focus pictures on purpose and see if I could come up with some good shots.
This project turned out to be much more difficult than I thought. My idea was to just go out, find an interesting scene, manually de-focus the camera and shoot away. I shot hundreds of photos and the majority looked terrible…not interesting…just BAD pictures.
But, over a couple of weeks, I managed to figure out which images are more likely to make a good blurred photo. Here are the ones that I think turned out pretty well.
Shooting through moving water
Manually de-focussed still life shots around my apartment
These photos have a dreamy quality about them: you know what they are but all the details are missing. Like…you know there was a person in your dream…you know what you said, you know what you did…but you can’t see their face no matter how hard you try to remember….these pictures have that kind of feeling for me.
Out in the city at night
I thought night shooting might be a little easier but it was just as difficult to get an interesting shot. Here are a few that I did like. In the city at night, there is a lot of hard contrast in the lighting which I found helps to give some structure to de-focussed pictures.
Time Travel
Photos that look like paintings
Scenes with strong texture and clear structure can make good unfocussed images. Because of the large grain and the soft transition between colours, these ones look like oil paintings to me.
Ghosts…
Images with people in them turned out to be some of the most interesting ones. They all look like dream scenes to me. They are clearly people but their limbs are distorted and their faces are obscured. This is how I tend to remember characters from dreams. I don’t think I have ever seen a ghost but, if I did, I imagine that this is what they would look like.
What’s next…?
This was a difficult project and I am kind of glad that I can get back to taking “normal” pictures again. I am really happy with these few good shots that I did come up with. I hope you like them too. Working on a project about shadows…
As always, you are welcome to leave questions or comments below. I am always happy to hear from you. Knowing you have been here motivates me to keep at it. Thanks for looking!
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Tiara Girls in Shibuya Scramble
Smartphones and Social Media: Today’s Popular Photography
These days, everyone everywhere has a camera in their pocket. Smartphone cameras have filters, AI and editing tools that give everyone the ability to take a decent photograph. Publishing photos has also become effortless. Anyone can post their images publicly on social media platforms like Instagram, and image posts get feedback through “likes” and “comments”. This is satisfying and motivating. It is a fun way to share your images with a huge audience.
Social media gives people the motivation to take photographs and smartphone technology makes it easy. The result is that millions of personal documentary style photos are being published everyday. Photo based apps have become a worldwide tool for communication and self expression. But while casual social media snaps are by far the most common type of photography, there are still other types of photographs to consider: images that are able to draw and hold your attention, freezing unique and surprising moments in time. There is a kind of magic in them. They are rare and difficult to capture.
Because these types of photos are so elusive, netting them requires some planning and skill but mostly persistence and luck. Of the thousands of pictures I took on a recent trip to Japan and Korea, I managed to capture only one such image.
The 1/250th of a second miracle
1/250th of a second…that’s how much time is captured here. We are in a huge crowd of people swarming through Shibuya Scramble Crossing in Tokyo. I am quickly walking forward taking pictures from waist level without looking through my camera. The girls are walking quickly towards me headed in the opposite direction. For this fraction of a second, we are facing each other. We are less than 2 metres apart and my finger happens to push the camera shutter. We pass each other and the moment is gone. Forever. One fraction of a second before or after and it would not exist. It is pure luck.
The intimate angle, the fact that the image is in focus and exposed so well and the emotion on display coming together in this tiny moment is almost a miracle. To put it into context, I tried the same technique in the same crosswalk for over two hours and took over 400 pictures. Out of 400 shots, maybe 6 or 7 were usable. Of those few, this was the only one that stood out as something truly special. It made the whole process worthwhile and went beyond all my expectations. It is one of my favourite pictures that I have ever taken.
What sets this image apart?
Emotion.
Photographs that express strong emotion are the ones that draw me in . And, the most captivating images are candid photos, where the emotion is pure and unaffected, where the subject has no sense that they are being photographed.
Tiara Girls in Shibuya Scramble glows with the energy of youth: freedom, rebellion, optimism are all on display. School uniform collars are unbuttoned and ties are pulled loose. Determined eyes are gazing directly and fearlessly into the future.
The princess tiaras, the body language and the smiles on their faces hint at the kind of friendship that can only bloom when you are young and free and open hearted. It makes me think of this short story passage:
“The most important people turned up surprisingly early in life. After a certain point, she found it difficult to turn even the first page of relationships that her younger self would’ve entered with relative ease. People locked their hearts at some point in their lives, as if everyone had agreed to do so. Then they made acquaintances outside those locks, with people who would never hurt them or be hurt by them”. Choi Eunyoung “Sister, My Little Soonae”
Some of our closest and most impactful friendships are forged when we are very young: before we have had our hearts bruised enough times to start hiding them away from others. This photograph captures that time.
Candid photography and telephoto lenses (spy photography)
Are there easier ways to get this kind of picture? Why not just sit up on a staircase above the crossing with a long lens and fire away..like taking bird pictures? The answer is that if you are not down in the crowd using a lens that is close to human vision perspective, you will not capture the kind of emotion that you see here. It just won’t work. The photos will look like spy camera photos, flat and lifeless. Kind of like when they show snaps of cop surveillance photos on tv shows. You need to be inside the image. When you are photographing from a distance, the photo will feel distant.
Check out my original post about Shibuya Scramble Crossing if want to see a few more pictures from this day.
If you have any questions or comments, please leave them below. Knowing you have been here gives me the motivation to keep it up. Thanks always for stopping by : )
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Midori: Experiments in Green
Please try to look at this post on a laptop instead of your phone. It will look much better.
The World of Wong Kar Wai
I recently found a big picture and essay book about Wong Kar Wai on my bookshelf. I must have bought it years ago and, because I was so busy, never got around to reading it. These days, I have been sitting on the floor every morning and reading it cover to cover as I drink my coffee. The book inspired me to see his films again and I have been watching them one by one in chronological order.
One of the things I love about Wong Kar Wai and his cinematographer Christopher Doyle is the way they use strong colour casts to emphasize mood or setting or time. Often it is a prominent green, especially noticeable in Days of Being Wild, Fallen Angels and even In the Mood For Love. The photography in these films is so striking that on the first viewing, I end up misunderstanding the story because I am so focussed on the images alone. I have always loved these green steeped scenes the most.
Here is a famous example from the end of Fallen Angels:
My Fujifilm X100T
This 10 year old camera is the only digital camera I have ever owned. By today’s standards, it is pretty old technology but I still love it. I have always been able to capture any picture in my imagination with this little machine. If you are interested, I describe it in a more detail at this link.
A few days ago, I decided to try to take some green toned pictures. I wanted to see if I could make some images that come close to the ones I love in the Wong Kar Wai films. I did this by manipulating the white balance of the camera and pushing it hard to the green side. How to do this is not really that interesting so I won’t go into it here but, if you want to know more about it, there are lots of good articles on the subject. Usually, you manipulate the white balance to keep your colours more natural under different kinds of light (like sunlight vs LED lightbulbs indoors). I did the opposite, manipulating white balance to get unnatural colour tones.
Here are a few of the pictures I like the best
I just took pictures of regular things..no extra effort to make cinematic compositions this time…
On my way home to write this post today, I was thinking..
Ever since I was little, if you asked me what my favourite colour is, I would say “green”. Always. The green of the sea, the green of the forest, the green of kelp and algae, the green of moss. Always green.
As I was walking home and thinking about writing this, I was listening to Luminescent Creatures, Ichiko Aoba’s new record. I only know a few words in Japanese but, every now and then, a word will pop out and stay with me… most often just because I like the sound. On the last track, which is so beautiful that I listened to it twice today, the word was “midori” 緑. When I got home and looked it up, it turns out to be the Japanese for word for “green”.
When I rolled that word around in my mind a little further, I realized that I had heard it before. In the movie Norwegian Wood (adapted from Haruki Murakami’s novel of the same name), lead character Toru Watanabe’s true love interest is named Midori. This film, directed by Tran Anh Hung, is full of vibrant green…just like his other famous film, The Scent of Green Papaya. And the cinematographer for Norwegian Wood was Mark Lee Ping-Bing who also worked on Wong Kar Wai’s In the Mood for Love. So many connections…
Green, my favourite colour. Green, the colour of summer. Midori…something beautiful. Green has been in my heart for the last few weeks. Maybe because it is mid summer after a rainy spring and the whole city is flooded with shades of green. Hope you enjoyed the pictures. I really like them. I will keep working on it.
If you have any comments or questions, please leave them below. I am always happy to hear from you : )
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